
Back around the time I summarized my
personality for casting directors by appearing with Jesus and Moses, we took on
organizing a puppet dinner theater for Holy Week. It involved preparing a
dinner, decorating a dining room, seating charts, ticket sales, and a million
little mind-boggling details. But the biggest endeavor was working with half a
dozen teenagers to put together a three act show that would keep the audience’s
attention between courses of food. Apparently the six weeks of rehearsals that
led to our Good Friday show made as big an impression on me, as they did on the
puppeteers, because every Good Friday, the soundtrack from Fish Tales runs
through my head like, “Baby, Baby, Yeah,” after a Justin Bieber Today Show
appearance.
There was a song about the feeding of the
5000, where Jesus took one child’s lunch of loaves and fish, and multiplied it
to feed the entire crowd: or as the song put it, “fish sandwiches! What a plan
was his! Supernatural Supper for the multitude!” Of course, you can’t forget
the Good Friday number, “It was a good day. On a bad day.” Or the finale, “Do
not fear! He was crucified, but he escaped the grave, he’s not inside, no, he’s
not here. He is alive!”
Ten year old puppet lyrics, trumpeting through
my mind, and recalling at once both the demands and the joy of a vibrant
ministry. And, at the same time, filling my heart and mind with the
bittersweet, compelling truth that this week is all about: the teachings, the
sacrifice, and the resurrection of Christ.
And
when Jesus had cried out again in a loud voice, he gave up his spirit. At that
moment the curtain of the temple was torn in two from top to bottom. The earth
shook, the rocks split Mathew 27:50-51
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